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      <image:title>Jack ✽ Ralph - Her Mind, Unwind</image:title>
      <image:caption>Her Mind, Unwind is a western set against the Australian mountains, where a woman fleeing her colonial life finds herself in a bushranging gang about to engage with the police over land disputes. The film stars Catherine Morvell, who I’ve only worked with for the first time on this film, but by gosh I’d work with again given the right script. She gives the dark mystery behind her character Belle, holding in the fury at times and letting loose when the moment is just right. Alongside are Gabriel Partington - longtime pal and star of my other shorts ‘Aboard’, ‘Path to Safety’ &amp; ‘Lars in Love’ - who portrays a character scripted as the Poet and is always a treat to see on screen as well as work with on set. He is joined by John McCollough to fill out the three main charters. John was fantastic at holding some important moments in a long dialogue scene. Overall the film is a puzzle. But, that’s the complex that is Belle’s mind…unwinding…as she flees to the mountains in search of a free conscience. You can rent the full film through Vimeo On Demand below. Get in touch if you’d like to see it &amp; I’d be happy to send you a free sceener!</image:caption>
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      <image:title>Jack ✽ Ralph - A SUPER8 SCI-FI</image:title>
      <image:caption>Premiered at the 2019 Melbourne Alternative Films Screening. When a signal blocks communications in &amp; out of space Freighter Five, an engineer goes to investigate by following the strongest readings to the source. Shot on Super8 film. Credits Oliver: Gabriel Partington Freighter Captain: Grace O’Connor Ships Crew: Asher Flatt, Nico Lynguris &amp; Sabine Basel Director &amp; Writer: Jack Ralph Cinematographer: Jason Kendirian Camera Assist: Adrian Eppel &amp; Asher Flatt Lighting: Victor NG Gaffer: Justin Yong Editor: Jack Ralph Colourist: Adrian Eppel Sound Mix: Alex Christiansen Composition (in part): Justin Vilches &amp; Patrick Doolan</image:caption>
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      <image:title>Jack ✽ Ralph - OK MOTELS 22</image:title>
      <image:caption>I am continually lucky to film the OK Motel events, this being the fourth I've been a part of in February 2022. This one had a fantastic lineup including RVG, Cable Ties, Good Morning, Lazertits, The Prize and special late night set from Our Carlson. There was the usual good times, dancing, friending, pool playing, mini golfing, eating 70s inspired snacks, BBQ, and pub vibes meals, and of course tequila sunrises. Head to okmotels.com.au for more info.</image:caption>
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      <image:title>Jack ✽ Ralph - White Line Fever</image:title>
      <image:caption>Highway hypnosis, white line fever - that strange state of mind you might have found yourself in when on a long drive…suddenly you snap out of a daydream and think, ‘How did I just drive the last few kilometres of road?’. You might not have, but your brain did. Starring Harry Musgrove &amp; Directed by Jack Ralph. Cinematographer / Anton Trivic Composer / Lewis Coleman Editor / Jack Ralph Set Assist / Kelsey Pettifer Set Assist / Adrian Eppel Vehicle Owner / Honey Slingsby The Car / Sunny I wanted to bring this feeling to life in an exercise that I pitched to DOP Anton Trivic, we then expanded the idea &amp; initially decided to turn it into a short film. We ended up leaving what we shot where it sits in this final piece, rather an exploration than a short. This is more a basis for what I’d really want to do given the proper circumstances, really dig into the driving scenes (which were never filmed as part of this exploration) where the character falls into hypnosis. I was lucky enough to get my brother, a brilliant actor in the theatre space as well, to play the role of the driver and explore this theme with Anton and I. We both really connected with this particular starting scene of the script, where the character leaves a roadhouse. It’s located in Batesford, sort of just out of our home town. There’s something very fitting about the glowing lights against wet roads that made the Batesford Roadhouse float like a palace on the night highway.</image:caption>
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      <image:title>Jack ✽ Ralph - The Friendly Door Motel</image:title>
      <image:caption>Starring Gabriel Partington &amp; Directed by Jack Ralph. Producer / Lawrence Phelan, Recliner. Cinematographer / Eren Besiroglu Gaffer / Frank H Wood First AC / Adrian Eppel Composer / Lewis Coleman Editor / Jack Ralph Set Assist / Harry Musgrove I</image:caption>
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      <image:title>Jack ✽ Ralph - The Rollerskater</image:title>
      <image:caption>The first Beezal Mop to hit the local cinema screen at The Pivotonian Cinema in…hang on. Let’s step back. Beezal Mop? Uhhh - basically created for a series of short skits where we featured a character with the very name. Now we’re using it to frame what these films are. Collaborative, changing directors and genres. Not strictly a short film, not at all a trailer. It’s a pre-feature short. Specifically not trying to cram too much in before the feature film begins, but entertaining a theme with layers of depth. This one careers into the fast lane with Molly Jean - a rollerskating surgeon just trying to get her caffeine hit in time for surgery. From house to hospital we cruise along the Rollerskater’s journey. Screening before Barbie at Geelong’s finest Arthouse cinema, The Pivotonian, the Rollerskater is one of my most proud projects to date. As a whole, more of these ‘episodes’ of Beezal Mop are in production looking to hit new cinemas. Starring Mary Jane Director &amp; Editor / Jack Ralph Producer / Lawrence Phelan, Recliner Production Assistant / Elle Van Boom Cinematographer / David McKinnar First AC / Bailey Quinn, Austin Paley Sound Mix / Lauchlan Vermont Colour Grade / Adrian Eppel, AGrade Animation / Alex McLaren Set Assist / Harry Musgrove, Kelsey Pettifer</image:caption>
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      <image:title>Jack ✽ Ralph - Battered</image:title>
      <image:caption>COMING SOON, in post-production. A fish who has been turned into a human wishes to stay that way. Unfortunately he leaves it a bit too late for his monthly meeting with a certain fishmonger to perform the ritual that keeps him in human form. Starring Patrick Durnan of Hot Department &amp; supported by veteran Australian actor Michael Carman, Battered promises to leave you uneasy and entertained. This will be the fifth Beezal Mop instalment as part of our cinema scene series &amp; my personal second short film for this series.</image:caption>
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    <lastmod>2024-11-08</lastmod>
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      <image:title>Commercial - SEEK / MARCELLE &amp; ADAM</image:title>
      <image:caption>Produced by Eric, Tom &amp; Bruce for SEEK Australia as a four part series exploring people who have undergone major career changes. Video editing by Jack Ralph. I've picked this one to share because I liked the stories and character of both Adam and Marcelle, how they touch at certain points and the total change in the direction they both went. SEEK says; 'Adam worked in home loans, Marcelle was a political adviser. But what happens when the career you worked so hard for isn’t what you hoped it would be? This is the story or two unlikely career changes.' Produced by Samantha Haines DOP / Brendan Cherry Camera Operator / Drew Collins First AD / Olivia Altavita Editor / Jack Ralph</image:caption>
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      <image:title>Commercial - NATASHA / Victoria Police</image:title>
      <image:caption>I edited this series of videos with Eric, Tom &amp; Bruce at the helm. This is one of three, featuring an officer named Natasha. It was super fun to make a visual story along-side a narrative voice over. Victoria Police approached Eric Tom &amp; Bruce to create a new suite of content to support their current Be A Force For Good campaign.  Our aim was to create polished videos that would be of equal quality to their current TVCs running under the same campaign. To do this, we chose a specific shooting style and scripted our police officer’s voice overs to elevate the look, feel and narrative of each story. We filmed with 3 police officers over 6 shooting days to produce 27 separate video assets and a suite of 80+ stills to use across social media, website and digital.</image:caption>
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      <image:title>Commercial - White Line Fever</image:title>
      <image:caption>Highway hypnosis, white line fever - that strange state of mind you might have found yourself in when on a long drive…suddenly you snap out of a daydream and think, ‘How did I just drive the last few kilometres of road?’. You might not have, but your brain did. Starring Harry Musgrove &amp; Directed by Jack Ralph. Cinematographer / Anton Trivic Composer / Lewis Coleman Editor / Jack Ralph Set Assist / Kelsey Pettifer Set Assist / Adrian Eppel Vehicle Owner / Honey Slingsby The Car / Sunny I wanted to bring this feeling to life in an exercise that I pitched to DOP Anton Trivic, we then expanded the idea &amp; initially decided to turn it into a short film. We ended up leaving what we shot where it sits in this final piece, rather an exploration than a short. This is more a basis for what I’d really want to do given the proper circumstances, really dig into the driving scenes (which were never filmed as part of this exploration) where the character falls into hypnosis. I was lucky enough to get my brother, a brilliant actor in the theatre space as well, to play the role of the driver and explore this theme with Anton and I. We both really connected with this particular starting scene of the script, where the character leaves a roadhouse. It’s located in Batesford, sort of just out of our home town. There’s something very fitting about the glowing lights against wet roads that made the Batesford Roadhouse float like a palace on the night highway.</image:caption>
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      <image:title>Commercial - Wicked Sister / Eric, Tom &amp; Bruce</image:title>
      <image:caption>Selling yogurt might be easy, but spitting out the bad stuff on screen is trickier. This little spot features the funny as hell Honor Wolff with direction from Colin Skyba. Formidable combo. Produced and filmed by Eric, Tom &amp; Bruce, edited by myself. In the edit we had a few versions ranging from no spit of yogurt, to the one that you see in this cut. There was a moment where we weren’t sure if the out there takes would make it in the final piece, but so glad they did. Go eat some yogurt. Or, even better, churn up your own.</image:caption>
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      <image:title>Commercial - Nerada Tea / The Producers</image:title>
      <image:caption>A relaxing spot directed by one of my favourite local Directors, Thuy Vy. Like how tea should feel, this one eases you back into a tropical jungle of infusion - mixing three situations with blended overlay. I akin the overlay to the brewing of tea, like the imagery is slowly infusing as we watch the advert. This occurred to me only now, writing this. I’m very sure this was Thuy’s intention, he is very intuitive. Go brew yourself a pot, chill out. Produced by The Producers, edited by myself.</image:caption>
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      <image:title>Commercial - Lilydale Chicken / Eric Tom &amp; Bruce</image:title>
      <image:caption>Fiery, fast paced and full of ingredients…including chicken. My favourite is the chilli though, because who doesn’t love slicing chilli then touching your eyes accidentally and…well, here’s the edit. There were three spots made, a different recipe for each, this one is Chicken Mie Gorang. Produced by Eric, Tom &amp; Bruce, edited by myself.</image:caption>
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      <image:title>Commercial - Bose - dyaln Alcott / Eric, Tom &amp; Bruce</image:title>
      <image:caption>Sunglasses with small speakers that you control with touch DO exist. Here is proof with Dylan Alcott repping the BOSE brand on the court. I’m sure he’d have nailed it without these specs, but who knows - maybe there’s something to it. Produced by Eric, Tom &amp; Bruce - edited by myself.</image:caption>
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      <image:title>Commercial - Young Henry’s / Cider Campaign</image:title>
      <image:caption>A suite of hard cider, hard hitting - you might say rambunctious if you ain’t hip - videos I Directed for the good mates over at Young Henry’s. These are all for their new line of ‘Cloud Cider’ which we definitely sunk many over the course of filming these promos. In the clip we have terrific musos from bands Goldminds &amp; Badgers. They really made this clip sing &amp; the Goldminds song features across all edits. We wanted to catch the morning after a big night - the band waking up and hitting the day with something a little smooth, something a bit more groovy for the aching mind. Enter cider. They then go and meet their mates at a cidery to continue the binge. Director &amp; Editor: Jack Ralph DOP: Eren Besiroglu Stills: Izzie Austin Talent: Goldminds, Badgers Client: Young Henry’s</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70c151f4755a4b60d8437e/80363602-0256-4c32-9dc4-0f11bdebc16f/Animals+Australia+Content.png</image:loc>
      <image:title>Commercial - Animals Australia - Veg Kit</image:title>
      <image:caption>Director: Lou Quill Produced by: The Producers Edited: Jack Ralph Client: Animals Australia</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70c151f4755a4b60d8437e/d25ee92a-acd3-4641-bf05-8052bc55d71d/YH+Content.png</image:loc>
      <image:title>Commercial - Young Henry’s / Cider Campaign</image:title>
      <image:caption>A suite of hard cider, hard hitting - you might say rambunctious if you ain’t hip - videos I Directed for the good mates over at Young Henry’s. These are all for their new line of ‘Cloud Cider’ which we definitely sunk many over the course of filming these promos. In the clip we have terrific musos from bands Goldminds &amp; Badgers. They really made this clip sing &amp; the Goldminds song features across all edits. We wanted to catch the morning after a big night - the band waking up and hitting the day with something a little smooth, something a bit more groovy for the aching mind. Enter cider. They then go and meet their mates at a cidery to continue the binge. Director &amp; Editor: Jack Ralph DOP: Eren Besiroglu Stills: Izzie Austin Talent: Goldminds, Badgers Client: Young Henry’s</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70c151f4755a4b60d8437e/df68db9f-bfb0-41a7-968a-06b508606e86/Mathers+content.png</image:loc>
      <image:title>Commercial - MUNRO SHOES / MATHERS</image:title>
      <image:caption>A cheeky spot Directed by Olivia Altavilla and produced by Samantha Haines at Eric, Tom &amp; Bruce. This was super fun to play around with the rushes and find what worked in and out of the original storyboard with what Olivia captured on the day with performances. Director: Olivia Altavilla Production Company: Eric, Tom &amp; Bruce DOP: Brendan Cherry Editor: Jack Ralph Animation: Nathan Robinson Colourist: Matt Campbell Client: Munro Shoes</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70c151f4755a4b60d8437e/a751ae25-56df-46ad-ba02-b846514d28de/Vegemite+content.png</image:loc>
      <image:title>Commercial - Vegemite / 100 Mighty Years</image:title>
      <image:caption>This was a technical spot that also was so tied into performance - Directed by Olivia Altavilla and produced by Lauren Burgueno at Eric, Tom &amp; Bruce. Following a tight storyboard and utilising the archival footage from the previous Vegemite ad one hundred years ago, our big priority was creating a cohesive flow between old &amp; new. Director: Olivia Altavilla Production Company: Eric, Tom &amp; Bruce Producer: Lauren Burgueno DOP: Brendan Cherry Editor: Jack Ralph Animation &amp; VFX: Nathan Robinson Colourist: Daniel Stonehouse / Crayon</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70c151f4755a4b60d8437e/a666aba9-1028-4be4-8335-78b8d4d7adfd/Officeworks+content.png</image:loc>
      <image:title>Commercial - Officeworks / Back to School</image:title>
      <image:caption>Directed by Olivia Altavilla and produced by Lauren Burgueno at Eric, Tom &amp; Bruce. This was a fun one to get to work alongside the team in pre-production as well at post for editing - collaborating with Apple to ensure the MacBook animations and fake desktops were all accurate. We then shot the screens for real so the actor could have proper interactions with them, while using real-time Memoji calls on screen. Putting it together in post was then a fun balance of action vs time. The classic war! Director: Olivia Altavilla Production Company: Eric, Tom &amp; Bruce Producer: Lauren Burgueno DOP: Brendan Cherry Editor: Jack Ralph Animation &amp; VFX: Nathan Robinson Colourist: Daniel Stonehouse / Crayon</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70c151f4755a4b60d8437e/4ce052ae-af21-48f0-9c3a-931364151ee7/OK+2024+Content.png</image:loc>
      <image:title>Commercial - OK Motels</image:title>
      <image:caption>OK Motels takes place primarily in a town named Charlton. Charlton is primarily a town filled with great locals who get behind a music-infused affair at the Charlton Motel. With the likes of Amyl &amp; The Sniffers, The Peep Tempel &amp; a whole army of incredible acts; OK Motels brings it every year. I’ve been the one in charge of capturing all things video. I aim for the moments around the bands, all the people and faces and memories that will hopefully be captured in some small way in these videos.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70c151f4755a4b60d8437e/4817478b-9f4a-4510-94d2-5220ae13ba31/Everdeck+content.png</image:loc>
      <image:title>Commercial - EverDeck</image:title>
      <image:caption>Online Editor for EverDeck 30” Commercial, Directed by Olivia Altavilla.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70c151f4755a4b60d8437e/7e2f821d-7e2c-475e-b19b-6422c8c1f789/Heinz+content.png</image:loc>
      <image:title>Commercial - Heinz Mayo</image:title>
      <image:caption>Client: Kraft Heinz Senior Creative Strategist: Hana Okada Senior Brand Manager: Meneka Ratnasothy Production: Eric Tom &amp; Bruce Executive Producer: Victoria Conners Director: Roxanne Halley Senior Creative Producer: Lauren Burgueno DOP: Sean Kirkwood 1st AC: Harry Huggins Gaffer: Corey Clement LX Assist: Luca Muscato Grip: Birrin King Food Stylist: Caroline Velik Food Stylist Assist: Sarah Cuppleditch Art Department: Varvara Sova HMUA: Nisal Apatu Photographer: Catherine Black Editor: Jack Ralph Sound Design: Ross Caygill</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70c151f4755a4b60d8437e/c5b2cecb-9825-4a3b-b66b-b2fb4106dd4c/WB+content.png</image:loc>
      <image:title>Commercial - Wallace Bishop</image:title>
      <image:caption>Online Editor for Wallace Bishop commercial. Directed by Olivia Altavilla Offline Editor Raechel Harding Produced by The Producers</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70c151f4755a4b60d8437e/eb781dda-bead-408f-a19a-026d9441f82e/ShutUp+content.png</image:loc>
      <image:title>Commercial - MND Victoria: ShutUp</image:title>
      <image:caption>Client: MND Victoria Fundraising Manager: Leah Szymanski General Manager - Community Engagement: Daniel Woodrow Production: Eric Tom &amp; Bruce Director: Roxanne Halley Senior Creative Producers: Samantha Haines and Lauren Burgueno DOP: Brendan Cherry Gaffer: Frank Healy Wood Production Assistant: Aislinn Tham Editor &amp; Colourist: Jack Ralph</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70c151f4755a4b60d8437e/1741565410110-U2GDVHTSQCE2YCTAQ3T9/OK25-Saturday+Wrap-02_5.1.2.png</image:loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70c151f4755a4b60d8437e/697263de-de45-497a-b9a6-0c3aa4d150e1/Stay.png</image:loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70c151f4755a4b60d8437e/4770b96e-6d31-45c5-8381-2f9888103362/NW.png</image:loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70c151f4755a4b60d8437e/9f6f76d8-b37e-46d8-a7e0-c8f229a2a250/WF.png</image:loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70c151f4755a4b60d8437e/cf923ec5-7369-4a1f-b319-727f167d2bca/Whiskey+Driven.jpg</image:loc>
      <image:title>Music Video</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70c151f4755a4b60d8437e/3b8b52b9-b617-4b29-8c6d-8e0b265aaf06/Emu+War.jpg</image:loc>
      <image:title>Music Video</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70c151f4755a4b60d8437e/1589342312065-KNGR9O2O7FJ6WC2HM4DG/Going+Your+Way.png</image:loc>
      <image:title>Music Video - Going Your Way / Premieres on CLASH</image:title>
      <image:caption>Lewis Coleman is a bold new voice from Australia, a songwriter whose approach is resolute and unyeilding, while also offering tenderness. At times brooding, at others fragrant and outgoing, Coleman's musicality is matched by a desire to fully express himself, to get his emotions down on tape. Definitely an artist to watch as 2020 develops, Lewis Coleman returns with his emphatic new single 'Going Your Way'. Heady, bewitching, and ultimately immersive, 'Going Your Way' is a song about attempting to process an intense emotion. He comments: “A brooding underscore of instruments searching for an answer, a song about processing disconnect, in a pool of memory.” Director Jack Ralph steers the video, working closely with the songwriter to channel "a watery pool of reflection..." Jack Ralph comments: "Lewis’ track, accompanied by a range of his own visual ideas, gave me the jumping board to dive into a conversation on memory and personal associations we place within them." "I think the close collaboration with Lewis bought about a clip that evokes exactly that - a watery pool of reflection upon which the track, 'Going Your Way', will draw you into our space of light &amp; dark, where things you remembered may not have ever existed. Or maybe they really do."</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70c151f4755a4b60d8437e/1596688242394-ECU2GE0AROQ4T1BPA5M4/Going+Your+Way</image:loc>
      <image:title>Music Video - GoOD SIDE / Premieres on NME</image:title>
      <image:caption>Melbourne artist Lewis Coleman has shared a new single, ‘Good Side’, alongside launch details of his debut full-length. The single premiered with a music video directed by Jack Ralph with additional animation by Kelsey Pettifier. The track is taken from Coleman’s forthcoming debut LP, ‘Method of Places’, slated for release on November 20 via Ivy League. ‘Good Side’ is Coleman’s third single to date, following last year’s ‘Animal’ and previous single ‘Going Your Way’, which dropped earlier in May. According to a press release, Coleman spent the last five years writing songs for his debut album. Each of his singles so far represent a “micro-world containing multiple moments in time”. When viewed as an entire body of work, ‘Method of Places’ characterises Coleman’s entire young adulthood in the span of nine songs. In ‘Good Side’, he is a “15-year-old kid in Year 9, trying on corduroy pants at Savers, developing a personality, finding friends, having crushes”. ‘Good Side’ is an all-encompassing crush,” Coleman explained in a statement. “The limbo period of excitement and possibility, in combination with the fear of edging too close and dissolving the delicate fantasy.”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70c151f4755a4b60d8437e/1606285089842-PX7C1HCUX1A5P8QUJB2L/IMAGE01.png</image:loc>
      <image:title>Music Video - Lewis Coleman X FOUR SUPER8 CLIPS</image:title>
      <image:caption>Together with musician Lewis Coleman, photographer Izzie Austin &amp; animator Kelsey Pettifer I undertook four music videos for Lewis which were filmed in two days inside an amazing house on Lake Wendouree (Wadawurrung and Dja Dja Wurrung). The task of creating four, distinct clips came about. All had their own style and colour - while sitting inside this idea of a ‘mind palace’ which suited being filmed inside this house. From watching you may notice repetition of scenes, but with a different take or colour and effect. By the last clip I felt like we were coming back up to the surface of Lewis’ mind and seeing the three previous clips in one, hallucinatory montage. A lot of fun. These clips got me into the 3D camera space of After Effects which has been a fantastic journey so far - while then incorporating Kelsey’s animations throughout and finding a way to make them fit into the super8 footage. You can find Lewis Coleman’s album ,all of which these songs are from, available to listen, stream and buy right here: https://smarturl.it/MethodOfPlaces</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70c151f4755a4b60d8437e/1606346061610-R2FQRYNF30SRCPER65CT/PLASTIC+PROMO</image:loc>
      <image:title>Music Video - PLASTIC PROMOS</image:title>
      <image:caption>Like their name suggests, Plastic specialise in creating shapeshifting guitar-noise-pop that feels both clinically designed and effortlessly warped. Blending art-world sophistication with music nerd sensibilities and an indie-rock smirk, their debut album New Hands twists and convulses in the best way possible. Sitting somewhere between Deerhoof and Deerhunter, New Hands shines in its refusal to sit still. The record constantly veers away from any clear reference points, spiraling haphazardly into Plastic’s own idiosyncratic universe. As we journey with them through swirls of zigzagging melody, hiccuping grooves and erratic mood swings, New Hands becomes all the more intoxicating - revealing Plastic as fiercely compelling and thrillingly adventurous. FIND THE ALBUM HERE</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70c151f4755a4b60d8437e/1632360576546-PYF68OCKGSMKFP3ZM00T/Sex+on+toast+content.png</image:loc>
      <image:title>Music Video - TAKE YOUR MASK OFF (&amp; LOVE ME TONIGHT)</image:title>
      <image:caption>This clip was a crazy time, both in trying to film all these whacky scenes between lockdowns, but also finding a thread and connection between all the dreams and scenes in the edit. With my amazing crack team of Adrian, Gemma, Even &amp; Nathan we put out this music video, Take Your Mask Off &amp; Love Me Tonight - a wild new direction for the band. It was brilliant to be able to have the freedom and flowing ideas on set, as well as no bounds for the initial concept which came about alongside Steven Schnielberg and Angus Leslie. DIRECTED &amp; EDITED BY: Jack Ralph DOP/EDITOR: Adrian Eppel ART DEPARTMENT: Gemma Baker SECOND CAMERA &amp; GAFFER: Eren Besiroglu ANIMATED BY: Nathan Robinson ORIGINAL IDEAS DEVELOPED BY: Angus Leslie Tully Ross Steven Schnielberg Rory Dempster Kitty Jay Webster FEATURING: SEX ON TOAST Angus Leslie Jordan "Schniel" Dempster Nick Piestch Louie King James Bowers Jessi Dunbar KEBAB SHOP EXTRAS: Clancy Quail Moore Eric Gardiner Davey Lane Clive Young Lachlan Barwise Ruby Lu Stephen Brooks Kimberly Little Beth Otenstein Daisy Wallace Ned &amp; Nathan Jake Revell Tully Ross Chinners Derrick &amp; Tommy Harry Thompson Timothy Williams DINNER SCENE: Barney McAll Nathan Feral Moron Electric Self</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70c151f4755a4b60d8437e/bdfe5666-8d08-4658-af13-16530db2608f/Be+Hear+Now+Sidebar_v01</image:loc>
      <image:title>Music Video - Live takes, rolling in live places</image:title>
      <image:caption>This project was filmed over a week in some amazing places around Ballaraat; from rooftops, observatories, tennis courts &amp; nature - all captured live with performances from Skyscraper Stan, Grove, Lashes, No Man’s Land, Moonlover, Floc, Sam Boon Quintet &amp; Juno Mamba. I filmed alongside Adrian Eppel with symbiotic movements and had the unstoppable Kate Berry of Friendly Services &amp; OK Motels (a previous collaboration) producing the whole project. The sound was captured by the excellent Braiden Michetti in about every circumstance possible, a big shout out to his work on all these! Every week starting from November we are releasing one song, beginning with Stan in the Yarowee stormwater drain. Dig in! Directed, filmed &amp; edited by Jack Ralph Co-directed, filmed &amp; colour by Adrian Eppel Sound recorded &amp; mixed* by Braiden Michetti Produced &amp; creatively conceptualised by Kate Berry Co-produced with Lachy Anderson Additional on set assistance by Ethnie Mac *** Be_Hear/Now. is again celebrating music, arts and place in collaboration with Ballarat artists and performers, now with the additional support of mentorship and career development. Be_Hear/Now. is original music performed by Ballarat locals featured in ultimate Ballaraat locations. Supported by Virgin Records, Press Play, Regional Arts Victoria, The Push, Creative Victoria and Play On Victoria - BHN21 is breaking new ground. CELEBRATING THE ONES TO WATCH. * all mixes except Juno Mamba &amp; Sam Boon Quintet</image:caption>
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      <image:title>Music Video - Blue Light / Juno Mamba</image:title>
      <image:caption>Juno Mamba performed this one as part of the BeHearNow showcase which I was hired to film alongside Adrian Eppel. Luckily, Juno did a couple of extra songs for us to turn into these live clips - I thank his foresight. You don’t know if he’s going to pull out the guitar and whammy his way into your guts or blow that feeble mind with a spicy beat. Watch it, take the plunge &amp; enjoy. Release on the Anjunadeep label, ‘Infinity’ is the third EP in two years from Naarm/Melbourne artist Juno Mamba (real name Vinci Javier), following June’s ‘Freedom’ and 2020’s critically acclaimed ‘Light Echoes’, which gained support from tastemaker DJs including TSHA, RÜFÜS DU SOL and Bob Moses as well as Annie Mac and Sian Eleri at BBC Radio 1 DIRECTOR: Jack Ralph DOP/CO-Director: Adrian Eppel CREATIVE PRODUCER: Kate Berry Creative Producer Lachy Anderson SOUND &amp; MIXING: Braiden Michetti Mastered; Suture Mastering SET ASSISTANT: Eithne McLaughlin</image:caption>
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      <image:title>Music Video - Sister / Dorsal Fins</image:title>
      <image:caption>Shooting with the Fins was really cool - for one I’d been a fan for some time, so getting to work with them was a meeting of minds! It was also great to work alongside Izzie Austin who I think brings out great concepts from songs. Although I do less filming and more editing &amp; directing these days, it was excellent to be able to get behind the lens and craft some imagery. I played around with this old TV studio lens which you could pull some nice aberrations out of. So all that rainbow goodness in the clip is practical. Big fan. ‘Sister’ is from the Dorsal Fins album ‘Star of the Show’. "Sister is about solidarity and trying to see something from someone else's perspective and then finding solidarity in that connection. My interpretation of sisterhood is not between only women, but between allies and people that understand, and that can stand together.” - Ella (Dorsal Fins) DIRECTED &amp; EDITED BY: Izzie Austin DOP/ADDITIONAL EDITING: Jack Ralph SECOND CAMERAL: Eren Besiroglu COLOUR GRADE: Adrian Eppel (AGRADE) TITLES: Ashley Goodall DANCERS: Hillary Goldsmith - Siobhan McKenna - Olivia McPherson COSTUME DESIGN: Sabatucci STYLIST: Patrick J Anderson ASSITANT: Elliot Condous</image:caption>
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      <image:title>Music Video - Believe It All / Sunfruits</image:title>
      <image:caption>You want to ask me my ideal project? Well you may have just found it. That feels like such a New Yorker headline, but whatever - this clip really hits me in all the right places. Getting to Direct something like this puts me into my best focus &amp; creative mindset. The Sunfruits are a killer Melbourne band I’ve done a few things with before, but never a clip like this, so getting the chance to work with them on their new release has been just a dream puppy. Also a good song (check it out). ‘Believe It All’ is a concept bought to me by the band, which I then developed and worked into the world I wanted to see: from falling into a poster to the lead singer (played by the stunner Our Carlson) transforming into a golden star…but not too many spoilers. Alongside me I had cinematographer Scott Pope who really stuck with me through pre-production and bought so much into the project. His ability to capture the handheld look bought me new love for the style. Releasing across Rage, MTV and Music Feeds, I really dig this new song from the band &amp; hope you also DIG this music video. Get fruity. BAND: Sunfruits LEAD: Our Carlson DIRECTED &amp; EDITED: Jack Ralph PRODUCED: Lawrence Phelan DOP: Scott Pope 2nd AC: Bailey Quinn ART DEPARTMENT: Gemma Baker GAFFER: Frank Healy Wood Get your fix of BELIEVE IT ALL here.</image:caption>
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      <image:title>Music Video - Talking to yourself / Lewis Coleman</image:title>
      <image:caption>Set in a wild basin called Devils Kitchen in rural Victoria, we’re already feeling a bit off with the strange rock formations that define this old quarry. Bring into the brew a bit of heady bass and Lewis’ depth in writing &amp; we have TALKING TO YOURSELF. Part commentary on our human addiction to being ‘online’ for so much of our lives - we symbolised this loosely with the apathetic white, eerily AI designed character that Lewis is in round-about dialogues with. We shot this, alongside some more scenes over a couple of days &amp; hope to bring out four music videos in total for the new album. Each one has its own definite style, but I’m so glad this one was first of the rank. With a range of zooming shots that dwarf human to landscape, I hope the music video either gives you a big introduction to Lewis’ music, or continues you on the path you have already found yourself on. Dig in and keep on watching. Pre-Order the LP here for OFFLINE BAND: Lewis Coleman CO-STARRING: Hannah Coleman LABEL: Beloved Recordings DIRECTED &amp; EDITED: Jack Ralph DOP: Scott Pope 2nd AC: Bailey Quinn COSTUME: Grace O’Connor COLOURIST: Adrian Eppel SET ASSIST: Darvid Thor</image:caption>
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      <image:title>Music Video - Indigo / Lewis Coleman</image:title>
      <image:caption>A clip that hangs and moulds, using deep blues and lush purples to find that indigo in between. Mixing live tape footage and red sound checks into the brew. Indigo is the tune for you DIRECTED &amp; EDITED: Jack Ralph DOP: Scott Pope 1st AC: Cecelia Hedditch GAFFER: Paraskevas Mourikis GRIP: Adrian Eppel ARTIST: Lewis Coleman LABEL: Beloved Recordings Pre-Order the LP here for OFFLINE</image:caption>
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      <image:title>Music Video - Courts / Lewis Coleman</image:title>
      <image:caption>Courts! Part III of IIII of Lewis Coleman’s album ‘Offline’. DIRECTED &amp; EDITED: Jack Ralph PRODUCER: Recliner Films / Lawrence Phelan DOP: Scott Pope 1st AC: Cecelia Hedditch / Bailey Quinn GAFFER: Paraskevas Mourikis GRIP: Adrian Eppel COLOURIST: Daniel Witt / Moodlab ARTIST: Lewis Coleman LABEL: Beloved Recordings Pre-Order the LP here for OFFLINE</image:caption>
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      <image:title>Music Video - Offline / Lewis Coleman</image:title>
      <image:caption>The fourth of a quartet of music videos for Lewis Coleman’s album, Offline. This clip bought the three other videos we did into context. It’s a rambling seven-minute-something tune which dives in and out of a non-stop beat. We follow this rhythm into the distinct worlds created for the albums four videos: the interior scenes, outside in night time Northern suburbs, the vast outdoor fields and pine forests. I was so happy when Lewis and Darvid (Beloved) organised a listening party at Long Play to share the album. We screened all the videos to an intimate group who were so receptive and, for this clip in particular, were taken along for the ride. Big ups to the crew and DOP Scott Pope, a serious collaborator of mine now! DIRECTED &amp; EDITED: Jack Ralph PRODUCER: Lawrence Phelan / Recliner DOP: Scott Pope 1st AC: Cecelia Hedditch, Bailey Quinn GAFFER: Paraskevas Mourikis, Tommy Le Gunn COLOURIST: Adrian Eppel TITLES: Piewhack ARTIST: Lewis Coleman LABEL: Beloved Recordings Order the vinyl here</image:caption>
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      <image:title>Music Video - Leaps &amp; Bounds - Livestream</image:title>
      <image:caption>As part of Leaps and Bounds festival (as a post-lockdown precaution) there was a decision to do a series of live-streamed gigs. Classic time-stamping of that c-o-v-i-d era. We put together three bands - Carpet Burn, Lewis Coleman &amp; Plastic - to perform live as we cut the show. This included a title screen using old CCTV cameras, multiple angles and GREAT TRANSITIONS (such as feathered wipes). We had two static cameras and one operated by long-standing collaborator DOP Victor NG, all while I sat behind the panels and cut the live-stream.</image:caption>
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      <image:title>Music Video - COnfetti Western</image:title>
      <image:caption>Tucked away in some of Ballarat’s best gig venues, art precincts and kooky buildings, BeHearNow festival made the city dazzle with the gems of local acts. Confetti Western gave the folks on their Friday night show a real treat - from numerous costume changes to live painting of audience members from a local artist, they clearly had the crowd transfixed. And dancing. Although I do less filming than directing &amp; editing, I still love getting into live gig spaces to shoot. Being able to manoeuvre around the crowd and stage to find moments is thrilling. Check out the band plus the festival this year round!</image:caption>
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      <image:title>Music Video - STAY /ALLYSHA JOY</image:title>
      <image:caption>This clip was something of planet alignment: everything just clicked into place from the initial chats over Instagram with Allysha whom I had only met once about eight years prior. I had the basic idea of three distinct sections whilst retaining the feeling that this could be a live performance. This play between reality and the quite stylised was so much fun &amp; works with the song really well. Even when I presented the mood boards to Allysha, she sent me over the photos from her album cover shoot. Without knowing it, our colours and tones were aligned (like those planets) from the beginning. Colours, tones &amp; planets may seem different, but it’s a heck of a good start. Working alongside David McKinnar on set was crucial to the finer points of how we framed each scene, combined with Ed Bellamy on the new Trinity 2. This duo really got the motion and flow down to what you see in the final clip. Vocals, Rhodes &amp; production: Allysha Joy Director: Jack Ralph Producer: Lawrence Phelan DOP: David McKinnar Gaffer: Francis Healy Wood Best person: Louis Walter Steadicam operator: Ed Bellamy 1st AC: Bailey Quinn 2nd AC: Adrian Eppel PA: Ruby Edwards Editor: Jack Ralph (Resolve) Colourist: Abe Wynen Rental gear provided by: Offshoot rentals Production Company: Recliner Location: Williamstown Italian Social Club Record Label: First Word Records Synths and string recordings: Finn Rees Bass: Matthew Hayes Drums / percussion: Ziggy Zeitgeist Additional drums: Sam Michnik</image:caption>
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      <image:title>Music Video - Nice Biscuit / Live at Sundowner Studios.</image:title>
      <image:caption>A three song, fifteen minute live explosion of energy from one of my favourite local bands, NICE BISCUIT. I was super lucky to be able to catch them while they were down from Brisbane to shoot this live set. Being in the room was like being front row at a gig, except I could dart around the band and feel the music up close. Ride on. Up the Biccies! Performed by Nice Biscuit DIRECTED &amp; EDITED: Jack Ralph DOP: Adrian Eppel RECORDED, MIXED &amp; MASTERED: Jim Rindflesh ANIMATION: Dougal Morrison STUDIO: Sundowner Studios</image:caption>
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      <image:title>Music Video - OK MOTELS 2025</image:title>
      <image:caption>Back for my fifth or sixth year now, covering the sprawling scene that is OK Motels. This year was one of the biggest, Saturday especially was mammoth with a whole day time of events, leading in to a jam packed lineup of bands at night.</image:caption>
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      <image:title>Music Video - Northern Wind / Daisy Kilbourne</image:title>
      <image:caption>My first collaboration with Daisy Kilbourne: Northern Wind. A nostalgic and beautiful song that really brings you through a lot of different emotions. Getting to Direct this for Daisy was a real treat, her music has become and big inspiration and planning the different scenes to match the lyrics was a fun journey. Shot inside Daisy’s eclectic house, the music video is contained but has many moments. We play with warm daylight &amp; contrast it with darker purple night time. Shifting sunlight for the moon. Big shout outs to Glenn on lighting and Adrian on the grade, as well as Rosie for pulling it together. Performed by Daisy Kilbourne Director, DOP &amp; Editor: Jack Ralph Gaffer: Glenn Parker Colour Grade: Adrian Eppel Management: Rosie Mahoney</image:caption>
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      <image:title>Music Video - Weird Fishes / Daisy Kilbourne</image:title>
      <image:caption>The second collaboration with Daisy, one that clicked into place in so many ways. She was really wanting to keep it lo-fi, ideally tape or something similar. I have a friend who has this large VHS camera, so that instantly came to mind. It would need to be plugged in at all times, plus it was a bit restless &amp; jittery: but that’s why you choose these formats ain’t it? After a few locations scouts, we found this warehouse on the day of filming. Dusty, filled with forgotten things. But beautiful light pouring through lichen covered windows in the ceiling that just turned the tape into liquid glowing gold. Everything felt good. The band performed on the take we chose in such an earnest way. Daisy gave it proper rockstar energy. We all felt it. Here it is, Radiohead’s ‘Weird Fishes.’ Performed by Daisy Kilbourne, Daniel Hall, Dylan Callanan &amp; Marcus Vincent Produced by Marty Brown Mastered by Adam Dempsey Director, DOP &amp; Editor: Jack Ralph Management: Rosie Mahoney</image:caption>
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      <image:title>Music Video - Whiskey Driven / Daisy Kilbourne</image:title>
      <image:caption>Whiskey Driven marks the third music video I’ve been able to work with Daisy on, which is such a cool experience to be able to delve deeper each collaboration. This one is our biggest in scope yet, with multiple locations, bringing in my trusted DOP Scott Pope &amp; the finale: a bangin’ party scene. I’m so happy with how this one has turned out, from the live performance section which just looks so warm and classy - to the 70’s coded party scene. We filmed this at Daisy’s sisters house, Lily, which has an incredible retro entertainment room - complete with shag pile carpet. Like a the previous music videos, a lot clicked. One of those shoots you look back on with a lot of nostalgia. Great energy and heaps of fun. Artist: Daisy Kilbourne Band: Daniel Hall, Dylan Callanan &amp; Marcus Vincent ’Record Producer’: Jonathan Schuster Director &amp; Editor: Jack Ralph DOP: Scott Pope 1st AC: Nathaniel Keogh Management: Rosie Mahoney Studio: Pivot City Music</image:caption>
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      <image:title>Music Video - Emu War / Danny Walsh Banned</image:title>
      <image:caption>Madness. But a lot of fun. Danny came to me with his new song ‘Emu War’ - which chronicles the infamous Australian battle, quite literally, with the large bird: EMU. After some brainstorming I thought it would be fun to not go down any historical path, but rather take it in the direction of the band in a game show, with emus in the audience. Ideas flowed from there. The result is an off-beat, b-grade blood drenched battle for bird supremacy. It was my first time collaborating with DOP, Lewis Roberts, who was terrific in bringing some extra ideas to the clip; from a spinning camera rig for the ‘wheel of fortune’, to hand-held Emu POV carnage. Also a special mention to Candice Nelson for creating the ingenious emu costumes, hand-made - as well as some guts using stockings that were equally gruesome to even handle. Enjoy the silliness and goofs, but most of all, enjoy the tune. Artist: Danny Walsh Banned Director &amp; Editor: Jack Ralph Producer: Lawrence Phelan 1st AD: Andelys Aragon Production Design / Costume: Candice Nelson DOP: Lewis Roberts 1st AC: Tom Dunphy Gaffer: Liam Harrington LX Assist: Cooper Dalbo Stills: Kyle Dobie</image:caption>
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    <loc>https://www.jackralph.com/about</loc>
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    <lastmod>2026-03-12</lastmod>
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      <image:title>Showreel &amp; Contact - Director, Editor &amp; Emerging Filmmaker.</image:title>
      <image:caption>I’ve found the pursuit of being filmmaker so varied, so unlike any preconceptions I had growing up. There’s so much I still have yet to do and show. In the present, I work as a full-time editor and post-production supervisor at Eric, Tom &amp; Bruce. We make commercials and social content - it’s where I’ve learnt to hone myself as a professional video editor in both offline &amp; online. Here I turnover projects to colour grade, sound and VFX - while also construct edits from the ground up. I work predominantly in DaVinci Resolve, but also can’t tolerate Premiere Pro &amp; have a big soft spot of After Effects, which is where I do the majority of motion graphics and in-house VFX &amp; compositing. Outside of this I follow a path more of passion, which is short film and music video. To date, I’ve shot on 16mm &amp; 8mm film as well as a range of high end digital, with some of Melbourne’s top cinematographers. I’m so thankful to actually get these people involved in my own projects and it’s something I won’t get over. My latest project is a series of cinema shorts which we’ve been producing to show at a local arthouse cinema before each feature film. The audience gets to see our two minute films every night and that to me has been such a huge experience. I won’t list off the years of projects I’ve done alongside incredible bands, actors and artist - because that’s boring to read. Plus I’m sure it doesn’t sound that incredible to other people. So instead head on over to my film, music video and commercial pages and watch as you will. Overall I love working in the industry: advertising can be a fun and challenging space where I meet so many people and work on some really interesting things. Teaming this up with my passion for film (and eventually a feature pursuit...) and writing fiction has been a boiling pot of projects I would never take back. If you want to collaborate on anything, or have any questions about DaVinci Resolve because I want everyone to use it, then get in touch.</image:caption>
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  <url>
    <loc>https://www.jackralph.com/the-jam-ringo-experience</loc>
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    <lastmod>2019-06-23</lastmod>
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  <url>
    <loc>https://www.jackralph.com/new-page</loc>
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    <priority>0.75</priority>
    <lastmod>2020-10-07</lastmod>
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  <url>
    <loc>https://www.jackralph.com/ok-motels</loc>
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    <lastmod>2023-12-21</lastmod>
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      <image:title>OK MOTELS</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70c151f4755a4b60d8437e/1620605951200-E6JZQ5ZUWRVZM8PTXE3Z/OK+MOTELS.png</image:loc>
      <image:title>OK MOTELS - OK MOTELS / CHARLTON</image:title>
      <image:caption>OK Motels hosts incredible gigs in rural motels across Victoria, their favourite being the Charlton Motel...in Charlton. I was bought on to experience their events and capture what I saw, heard and loved. This is just some of it. FIND OK MOTELS HERE. More info on the event: We’re heading back to our favourite Mallee town and making a weekend of it! We’ve made some extra fun on the Friday night if you want to take a sickie, with the ‘Locals vs Blow-ins’ Pool Comp, Smarts, and a band very special to the OK fam, K5,  and DJs. But if you can’t make it in time for that, don’t worry, Saturday is all about a ‘Friend Speed Dating Devo Tea’ with Tell Your Friends You Love Them and the ladies of the Charlton CWA. This event is a fundraiser for Victoria’s smallest CWA branch. We’ll also be launching the Charlton Mini Golf Club, out the back of the Charlton Motel. Let us all come together to celebrate its rising from the depths of soil and eucalyptus leaves – there’ll be a comp too, of course. This year also welcomes our brand new and improved OK Camp, right in the centre of town and within walking distance to the motel. You can BYO tent, or get Undersky to take care of it for you. Gary will look after you, and there’s toilets and showers! Keep your eyes and ears open for some fun little surprises popping up within camp too. Saturday night we welcome back Tropical Fuck Storm, our first ever headliner! We welcome new acts to the function room, say hello to Floodlights, and Our Carlson! With more acts to be announced. And, of course, we’ve got some seriously classy 70s meals for you, with classier cocktails to match.</image:caption>
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  <url>
    <loc>https://www.jackralph.com/confetti-western</loc>
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    <lastmod>2023-12-20</lastmod>
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      <image:title>Confetti Western</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70c151f4755a4b60d8437e/c629fb30-c57f-45a0-ba35-17b6d0c8678e/Offline+Content.png</image:loc>
      <image:title>Confetti Western - Offline / Lewis Coleman</image:title>
      <image:caption>The fourth of a quartet of music videos for Lewis Coleman’s album, Offline. This clip bought the three other videos we did into context. It’s a rambling seven-minute-something tune which dives in and out of a non-stop beat. We follow this rhythm into the distinct worlds created for the albums four videos: the interior scenes, outside in night time Northern suburbs, the vast outdoor fields and pine forests. I was so happy when Lewis and Darvid (Beloved) organised a listening party at Long Play to share the album. We screened all the videos to an intimate group who were so receptive and, for this clip in particular, were taken along for the ride. Big ups to the crew and DOP Scott Pope, a serious collaborator of mine now! DIRECTED &amp; EDITED: Jack Ralph PRODUCER: Lawrence Phelan / Recliner DOP: Scott Pope 1st AC: Cecelia Hedditch, Bailey Quinn GAFFER: Paraskevas Mourikis, Tommy Le Gunn COLOURIST: Adrian Eppel TITLES: Piewhack ARTIST: Lewis Coleman LABEL: Beloved Recordings Order the vinyl here</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.jackralph.com/l-an-dreoiln-the-wran</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-09-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70c151f4755a4b60d8437e/9586bf57-9a81-4a71-a483-7f45385bfc14/Wran+Doco.png</image:loc>
      <image:title>Lá An Dreoilín - The Wran</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70c151f4755a4b60d8437e/98c59859-5f30-4dfa-9579-b78c8ced15bf/Wran+-+Vimeo+Display+-+1080.png</image:loc>
      <image:title>Lá An Dreoilín - The Wran - Make it stand out</image:title>
      <image:caption>Film is currently in festival run, with its first screening at Kerry International Film Festival in October of 2025.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70c151f4755a4b60d8437e/b853ca18-1b3d-485d-be05-c3f735daa5bf/Rollerskater+Content.png</image:loc>
      <image:title>Lá An Dreoilín - The Wran - The Rollerskater</image:title>
      <image:caption>The first Beezal Mop to hit the local cinema screen at The Pivotonian Cinema in…hang on. Let’s step back. Beezal Mop? Uhhh - basically created for a series of short skits where we featured a character with the very name. Now we’re using it to frame what these films are. Collaborative, changing directors and genres. Not strictly a short film, not at all a trailer. It’s a pre-feature short. Specifically not trying to cram too much in before the feature film begins, but entertaining a theme with layers of depth. This one careers into the fast lane with Molly Jean - a rollerskating surgeon just trying to get her caffeine hit in time for surgery. From house to hospital we cruise along the Rollerskater’s journey. Screening before Barbie at Geelong’s finest Arthouse cinema, The Pivotonian, the Rollerskater is one of my most proud projects to date. As a whole, more of these ‘episodes’ of Beezal Mop are in production looking to hit new cinemas. Starring Mary Jane Director &amp; Editor / Jack Ralph Producer / Lawrence Phelan, Recliner Production Assistant / Elle Van Boom Cinematographer / David McKinnar First AC / Bailey Quinn, Austin Paley Sound Mix / Lauchlan Vermont Colour Grade / Adrian Eppel, AGrade Animation / Alex McLaren Set Assist / Harry Musgrove, Kelsey Pettifer</image:caption>
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</urlset>

